Oops, I stand corrected. My mid-December post about US presidential interests in post-campaign viral marketing wondered whether European heads of state would follow Mr. Obama’s lead.

Little did I know (I should have checked), Germany’s chancellor Angela Merkel has been podcasting weekly since mid 2006. 

Kudos to her (rather early) interest in this still relatively new digital medium. But this made we wonder, whether I had missed others among Europe’s leading politicians. 

As to France, I was unable to find anything on President Nicolas Sarkozy. Maybe this is because he is still relatively new in office and hasn’t quite gotten around.

But so is Prime Minister Gordon Brown over in the UK. But at least he does have his own website.

Although so far void of regular podcasts to the nation (and anyone else, for that matter), his site at least provides YouTube links to various ad-hoc press conference. A start.

Meanwhile, over in The Netherlands, Prime Minister Jan Peter Balkende has not yet taken to video podcasting either, it seems. I am somewhat surprised.

Turns out, neither does the country’s monarch seem interested in this sort of “modern” communication.

What makes me wonder is whether heads-of-state podcasts (or the lack of the same) are an indication for any government’s true commitment to bringing its country into the digital age. 

Like a CEO running a company, if you don’t try your own products, how would you know they work?

Any thoughts on this?

Be encouraged to chime in.

As part of my ‘other life’ as a music composer/producer, about a year ago I was invited to give a workshop at the Banff Centre for the Arts in studio production.  To teach my approach to mixing, I decided to bring the individual tracks from a recent piece I had done – almost 30 discrete sound files with one instrument or part on each, that together made up the piece as a whole.  These were then remixed by the students during the workshop while I coached the sessions – not only a great way to demonstrate my personal production and mixing methodologies, but (somewhat unexpectedly) it was also very interesting to see how others approached and altered the material.

Now consider the Web 2.0 model, in which there’s no longer just that one-way street running from server to client – instead, communication occurs in a more reciprocal and viral manner.   Well, as it happens, there’s a near-perfectly analogous phenomenon going on with recorded music: much as I had done, artists are making the individual elements (or “stems”) that taken together comprise their finished recordings freely available online – to to be freely downloaded, deconstructed, altered, and remixed by anyone who cares to.  The power of today’s personal computer and the ubiquity of multitrack digital audio applications such as Apple’s included-with-the-OS  Garage Band make this possibility for everyone, not just us recording studio types.

It appears Thomas Friedman was right, the world is getting flatter….

A few examples:

• Easily 20 years ahead of its time, David Byrne and Brian Eno’s 1981 release “My Life in the Bush of Ghosts” was, at the risk of understatement, a groundbreaking record (just ask Moby, who built a career on his 1999 homage, “Play”).  Concurrent with a 2006 Bush of Ghosts re-release, Byrne and Eno made stems of several tracks available to the public and hosted an online remix competition, in which remixes could be uploaded back to the site and then voted on – results of which can be heard here.

• Kudus to Warner Music Group for going along with Byrne and Eno on the open licensing.   Radiohead, on the other hand, having had abandoned their traditional major label to release their latest album “In Rainbows” online themselves this year, could do whatever they pleased with the material – which was to simultaneously give away stems of the track “Nude” online for a similar remix competition.  The response from both professional DJs and producers as well as the general public was described by the band as ‘overwhelming’ – so much so, in fact,  that another track (“Reckoner“) was subsequently given away for remix as well.

Think of it as “open source music” (in fact, Byrne and Eno used the same Creative Commons license well-known in the open source software community to make the stems available).

I’m not a gamer – for me, though, (and maybe you?) this is a great way to have some fun with your computer. Try it out sometime… a little bit of creative playing around is good for you.

On the eve of the 2009 CES show, perhaps it’s time for a few more thoughts on what should prove to be The Big Story at this year’s show: televisions and set-top boxes with internet access baked in, for direct internet video access.

For the last few years, numerous companies in the ‘computer’ business (on either the hardware or software side) have made repeated attempts to market solutions involving the PC as viable long-form internet video delivery platforms – with little to no success. Lately, though, perhaps enough anthropologists and/or behavioral scientists have been hired to finally convince at least a few of these companies that despite all the bells and whistles, a computer might never be a television after all (as they say in the south, “you can put a brick in the oven, but that don’t make it a biscuit”).

So while certain companies might have enjoyed a substantial technological head start in internet video, through a stubborn insistence on leveraging the home computer, the opportunity was missed. But no matter: here comes the CE industry – as of Thursday in Las Vegas, it’s their market now.

Apple undertook a conscious expansion into the CE industry several years ago with the iPod (in fact, dropping ‘Computer’ from their corporate name) – is it too late for other computer-centric companies to make a similar move? 

The recent Intel/Yahoo initiative is a particularly interesting case in point.  Both companies, as Yahoo Connected TV vice president Patrick Barry poetically puts it, “emerged from the ocean of the PC”.

Intel Intel has been especially forward-thinking regarding the convergence of the home computing and consumer electronics industries for some time now, having launched the Intel Digital Home Group several years ago.  The interdisciplinary Digital Home Group, active in both processor design and standards development, is particularly close to my heart, as it’s made up of social scientists as well as computer scientists.

Yahoo We’ve been pretty hard on Yahoo lately, but they do have some heavy OEM hitters lined up to implement their embedded internet TV ‘widgets’ system: Sony, TiVo, and Samsung. Also worth noting, the Connected TV initiative intends to follow a purely advertising-supported model, and studies routinely show consumers prefer advertising to subscription fees.  Lastly, yet another issue (and one that holds true for all internet video contenders) is the remote: as Netflix CEO Reed Hastings recently noted, a Nintendo Wii-like pointing remote will likely be required as internet-enabled television hardware matures.

At any rate, given their recent setbacks, this could be Yahoo’s last best shot at redemption – so look for them to bet the farm (or “throw the long ball”, for you American football fans) on this one.

“You think we need this phone anymore?” I asked my wife.  Although I’d retired ye olde twisted copper line a few years back, going that one step further and losing the VOIP phone – well, that felt a little reckless.  But the fact remained that aside from a weekly call to my wife’s family in Germany, our use usage of that line had dwindled down to getting the occasional cold call for donations from the Police Benevolent Association of New York City (where I hadn’t lived for several years).

Live Simple.  Lean and Mean. (or our pale bourgeois version of it, at least) – to us, it seemed like a good idea at the time.   It turns out we weren’t alone: a recent US government survey claims that 17.5% (or 1 in 6) US households now depend exclusively on cellular networks for telephone service.

Nevertheless, I’ve found these major home network revisions require (ahem) particularly well documented key stakeholder buy-in, so I waited a week or two and asked Anja once again if Skype could be a workable Vonage replacement for her calls home.  Only after getting further assurance did I finally make the ‘Dear John’ call to break it off with Vonage (at one point, to spare the call center operator from having to go through his whole customer retention script with me, I think I might have actually said “it’s not you, it’s me”).

As it happened, though, both Anja and I came to rue that fateful day: my comeuppance coincided with a switch to the iPhone – or should I say to the remarkably dismal (in the NYC metro area at least) AT&T voice network that comes tethered to it like a ball and chain.  For her, it turned out she hated having to either boot up the laptop and run Skype or try to cradle a tiny cell phone on her shoulder during those leisurely Sunday morning calls home to Germany after all…

She’s one resourceful e-shopper, though, and soon came across what I think could be the Next Cool Geek Accessory – the retro cell phone handset. While she uses hers only at home for purely ergonomic reasons, I can imagine these things starting to turn up on the streets of the Williamsburg (and other ghettos of hip), just as black horn rim glasses did 10 years ago.  For the rest of us (those of us old enough to remember), making a call with these huge ancient headsets is somehow strangely reassuring.

Yep. I like this thing – both for the sheer comfort and clunkiness of it, as well as for the juxtaposition of vintage design and current technology – there are even Bluetooth and USB versions available.

Who knows, if my AT&T voice coverage ever improves enough to make it worthwhile, I might just get a Bluetooth handset for my iPhone…