A few weeks ago, we wrote that while a recent panel discussion of the iPhone NPR app was focused on the ability to access any NPR station despite its over-the-air local broadcast range constraints (geographic independence), the primary value proposition of the NPR app is the ability to access any program despite its scheduled air time constraints (temporal independence).  Put another way, this app represents the ‘tivo-ization’ of NPR.

In fact, the intrinsic ability to time-shift content is arguably the primary value proposition of any internet media platform.

Some recent coverage of Apple’s forthcoming Apple TV subscription model misses this point entirely, though…

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“What we are seeing in the U.S. today in terms of smartphone penetration, 3G data, nobody else is seeing in the rest of the planet,” said Ralph de la Vega of AT&T during a conference call the other day.

“The amount of growth and data that we are seeing in wireless data is unprecedented,” he added.

As the long-standing negative buzz on AT&T’s network has peaked over the past few weeks (due in part to a recent Consumer Reports article and an aggressive advertising campaign from Verizon), AT&T has shifted from the somewhat defiant and dismissive stance taken earlier this year (when such reports were characterized as “anecdotal feedback” and “sweeping generalizations”) to a more plaintive tone - as demonstrated above.

Whether or not it’s good long-term policy for any company to publicly complain about how difficult it is for them to provide the service they’re being paid to provide is open for discussion - particularly when that company’s current windfall success is almost entirely dependent upon a soon-to-expire exclusive partnership with another company (i.e. Apple).

In any event, while the technical challenges AT&T faces may be very real, I would be more receptive to the recent “data networks are hard” excuses coming out of the company if it were able to a better job of getting even voice coverage up to par in the NYC area - above is a screen shot from my iPhone, taken from my home office.  My apartment (the blue dot) is located within 2 miles of downtown Manhattan - not exactly the middle of nowhere.  Yet, I get almost zero bars - and an unusable voice connection.

In AT&T’s defense, the company has recently launched an iPhone app to allow users to send the company location-specific reports of poor service (of course, in cases of no coverage you’d have to put the iPhone on an available wireless network for the app to function).

So that’s what I’ve done - I’ve installed the app, sent in my report, and am waiting  to see if my voice (let alone data) service improves.

In the meantime, while at my desk at home, it would appear I own an expensive  iTouch.

We’ve written about DNS before - how important it is, how remarkably well it works, how often it’s attacked, and how taken for granted it is by the general public.

As such, last week’s announcement that Google is getting into the DNS business is worth paying some attention to (historically, DNS has been provided for at the Internet Service Provider level, but there’s no intrinsically technical requirement to do so).

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The keynote event at the Future of Television East conference here in New York a few weeks ago was a conversation with Paula Kerger, President & CEO of PBS.  During the discussion, the subject of the iPhone NPR app came up as a model of  what digital distribution of PBS content could someday look like.

Although the tremendously successful  BBC iPlayer might have been a more apt example, I was happy nonetheless to hear one of my favorite iPhone apps getting some recognition.

Of course, the ability of internet radio to provide access to any station regardless of the geographical limitations of its over-the-air broadcast range were touted -  Kerger, as it happens, enjoys listening to Maine public radio (where she has a summer home) while traveling.  However, what was left unsaid about the NPR iPhone app was what I feel is its most notable feature:  the “Programs” section, a comprehensive implementation of all available on-demand streams organized by program rather than station.  Not only that, but news shows such as “All Things Considered” are broken down by individual segments, so one can actually browse within the show (of course, for a more passive experience you can still play all segments sequentially via a playlist).

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Comcast has bought a controlling share in NBCU.  Maybe you’ve heard.

Just what this means for hulu is now topic du jour.  For those unfamiliar with the service (are there any left?), hulu is a browser-based premium video website that launched a year and a half ago as a NBC/Fox joint venture and has since became wildly popular (and deservedly so: on a technical level, the streaming is very well implemented, and on a user experience level, the UI is  very cleanly designed).  Since April, when Disney bought into hulu, CBS has been the only major broadcast network left outside of the hulu fold.

More than any other service, Hulu was looking like the future of premium online video.

Then along comes Comcast and makes things interesting: the largest company in the vertical industry most threatened by the advent of online premium (non user-generated) video is now part owner in the nascent medium’s industry leader.

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Turns out, I spent a good part of Thanksgiving weekend catching up on my subscription to The Online Reporter.

As I am going through weeks and weeks of back-issues of the popular Internet and CE digest, I catch myself repeatedly noticing the growing number of consumer software start-ups with particularly short and vowel-rich companies names.

Think Google, Hulu, Lala, Vudu, and Veoh. Oh, and then there’s Rollyo, Slooh, and Bebo, of course. And that’s only the beginning.

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One of our favorite stops for internet radio is somafm.com, out of San Fransisco, California.  They’ve got a channel for almost everything, and (unusual for independent internet radio) the programming is of uniformly high quality.

While working, our favorite channel is Groove Salad for chilled out electronica (it makes us feel smart).  At this time of year, though, the Xmas in Frisco stream is also well worth a listen, although the silly and irreverent take on holiday music - from kitschy to historic to moderately offensive - might not be for everyone (warning: some of the hip-hop material could not be considered even remotely ‘office-friendly’) .

What we wanted to draw your attention to, though, is mission control.  This somafm channel is a stream of ambient electronic music combined with the live communications feed  from the current STS-129 Nasa Space Shuttle mission.  It’s a fascinating listen - minutes of ambient music will go by, and suddenly some mundane communication between the shuttle and Nasa will occur, rendered somehow strangely poignant by the underlying music.

The classic argument against space exploration - that there are more than enough problems down here on Earth to invest in fixing first - has sadly never seemed more valid.  However, mission control is a great example of the kind of innovative niche programming available over the “long-tail” of the internet, and a great case study in the technology-enabled blurring of the lines between art and science.

The STS-129 mission is scheduled to touch down on November 27th.  That should be interesting - I know where my internet radio dial will be set to that day…

For while now, we’ve been puzzled by the surprisingly large number of industry analysts operating under the assumption that “internet video” represents just another (albeit fast-growing) computer/web browser use case.  It  comes up most often during panel discussions and articles covering the seemingly intractable problem of how to monetize internet video - “how can we get internet video users tolerate a TV-like higher ad load?” is often the point at which shoulders start to shrug, hands get thrown up in the air, and the discussion grinds to a halt.

“By making the internet video user experience more like TV” is one obvious answer - and one that at least allows the discussion to continue…

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Listen, the day your mobile network dies and you find yourself amazed how much that upsets you, that might be the day you realize - your wireless devices, and the networks they are tied to, by now are of utmost importance in your live.

To that point, earlier this week, part of T-Mobile’s US network suffered interruptions for the later part of a single day. The resulting outcry was significant.

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Peter Kafka from All Things Digital writes today that Apples is thinking about launching a $30 per month iTunes-based subscription service to carry cable and broadcast television programming early next year.

According to unnamed sources, over the past few weeks Apple has been pitching the idea to several of the major broadcast and cable networks.  As the article correctly points out, it’s a tough sell: cable networks will are not going to do anything to jeopardize the lucrative business model currently in place, in which they receive both a large cut of the advertising revenue as well as subscription fees from the cable carrier - and everyone is probably tremendously cautious about the effect on ad load, given the inability so far to monetize internet video through advertising (even industry leader hulu has had trouble selling its inventory).

However, there’s something we think the ‘All Things Digital’ article misses…  something important…

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